{"id":1196,"date":"2023-12-08T04:09:15","date_gmt":"2023-12-08T04:09:15","guid":{"rendered":"https:\/\/ziyagurel.com\/?p=1196"},"modified":"2023-12-08T04:10:17","modified_gmt":"2023-12-08T04:10:17","slug":"antil-cagda-mimaride-resim-ve-pigmentle-varolmak","status":"publish","type":"post","link":"https:\/\/ziyagurel.com\/index.php\/2023\/12\/08\/antil-cagda-mimaride-resim-ve-pigmentle-varolmak\/","title":{"rendered":"Antil \u00c7a\u011fda Mimaride Resim ve Pigmentle Varolmak"},"content":{"rendered":"<p style=\"text-align: center;\"><strong>Orhan Bing\u00f6l\u2019\u00fcn ve Babas\u0131 Cemal Bing\u00f6l\u2019\u00fcn \u00f6\u011frencileriyle s\u00fcr\u00fcp giden zaman yolculu\u011fu<\/strong><\/p>\n<p>\u00a0 Zihnin ilgi alanlar\u0131 konusundaki se\u00e7imi her halde bu denli \u00e7ok renkli olmasa, b\u00f6ylesine \u00e7ok say\u0131da tonlamaya yan\u0131t aramakta yard\u0131m\u0131m\u0131za ko\u015facak pigmente gerek kalmayacakt\u0131.<\/p>\n<p>Ama, o zaman da, Fenikeliler\u2019in \u201cFenike Mavisi\u201d ad\u0131n\u0131 alan maviyi seramikleriyle \u201c\u0130pek Yolu\u201d boyunca o b\u00fcy\u00fcl\u00fc Do\u011fu Akdeniz\u2019in mavi tonunun \u00c7in \u0130peklerine ta\u015f\u0131nmas\u0131yla bir mucize ger\u00e7ekle\u015fmeliydi. Bu bildirimi ta\u015f\u0131yan, seramik \u00e7amuruyla, ipek dokuman\u0131n t\u00fcm d\u00fc\u015fleri vars\u0131l k\u0131lan dalgalanmas\u0131n\u0131n ayn\u0131 mavide bulu\u015fmalar\u0131yd\u0131. De\u011fi\u015fik co\u011frafyalarda do\u011fadaki \u0131\u015f\u0131\u011f\u0131n ba\u015fkal\u0131\u011f\u0131 ressamlar\u0131 renklerde ton aray\u0131\u015f\u0131na k\u0131\u015fk\u0131rtm\u0131\u015ft\u0131. Akdeniz\u2019de buna verece\u011fimiz \u00e7ok \u00f6rnek vard\u0131r: Kuzey Avrupa ressamlar\u0131 g\u00fcneye indiklerinde, hele Kuzey Afrika\u2019y\u0131 ayd\u0131nlatan g\u00fcne\u015fin g\u00fcc\u00fc onlar\u0131 b\u00fcy\u00fclemi\u015fti. Ayd\u0131nlatan bu \u0131\u015f\u0131\u011f\u0131n tuvale yans\u0131t\u0131lmas\u0131 i\u00e7in, yine \u0130pek Yolu \u00fcst\u00fcndeki devinimle bu sanat\u00e7\u0131lara Hindistan\u2019da bir madenden ula\u015ft\u0131r\u0131lan \u201cIndian Yellow\u201d, \u201cOcer Yellow ad\u0131 verilen (K\u0131rm\u0131z\u0131 Ochran\u0131n en iyisi Pontus\u2019ta yani Sinop\u2019tad\u0131r) pigmentlerinin kullan\u0131lmas\u0131n\u0131 beklemek gerekecekti. Rembrandt\u2019\u0131n, bu g\u00fc\u00e7l\u00fc \u0131\u015f\u0131\u011f\u0131 tuvaline indirme olana\u011f\u0131na kavu\u015fmas\u0131 an\u0131n\u0131 ben yeniden kutsuyorum.<\/p>\n<p>Bizim Sevgili Hocam\u0131z <strong>Orhan Bing\u00f6l\u2019le<\/strong> ve sevgili e\u015fi <strong>I\u015f\u0131k Bing\u00f6l<\/strong> Hoca Han\u0131mla tan\u0131\u015fmam\u0131z o d\u00f6neme rastlar. 1987 y\u0131l\u0131 m\u0131yd\u0131, o g\u00fcnlerden birinde Cumhuriyet Gazetesi\u2019nde, Kaz\u0131 Heyeti Ba\u015fkan\u0131 Prof. Dr. Orhan Bing\u00f6l\u2019\u00fcn Magnesia Antik Kentinin Gymnasion\u2019unda kaz\u0131y\u0131 ba\u015flatt\u0131\u011f\u0131n\u0131 okudum. Hemen yola \u00e7\u0131kt\u0131m. Orhan Bing\u00f6l 1984\u2019te ba\u015flatt\u0131\u011f\u0131 Magnesial\u0131 olmak ser\u00fcvenine beni de \u00e7a\u011f\u0131r\u0131yordu. Bu ser\u00fcven 2020 y\u0131l\u0131nda emeklili\u011fine dek s\u00fcrecek; sonras\u0131nda da Karab\u00fck \u00dcniversitesini Arkeoloji B\u00f6l\u00fcm\u00fcn\u00fcn kurulmas\u0131 i\u00e7in yard\u0131ma ko\u015facakt\u0131.<\/p>\n<p>Teselya\u2019dan tekneyle Bafa k\u00f6rfezine gelen Magnetler Artemis\u2019in rehberli\u011finde kutsal Anadolu topraklar\u0131nda yerle\u015fmek i\u00e7in \u00e7aba g\u00f6steriyorlard\u0131. <strong>Magnesia Ad Maeandurum<\/strong> kenti B\u00fcy\u00fck Menderes Irma\u011f\u0131n\u0131n debisi y\u00fcksek, o deli ak\u0131\u015f\u0131na dayanamayarak iki ya da \u00fc\u00e7 kez farkl\u0131 yerlere ta\u015f\u0131narak yeniden kurulmu\u015f olan Magnesia, M\u00d6 400 y\u0131llar\u0131nda \u015fimdiki yerinde yerle\u015fimini tamamlam\u0131\u015f (S\u00f6ke &#8211; Ortaklar yolunun sonuna do\u011fru Tekinler k\u00f6y\u00fcnde Beyaz ka\u015fl\u0131 Artemis Tap\u0131na\u011f\u0131 Mimar Hermogenes\u2019in \u00e7izgilerindeki g\u00f6rkemle bizi kar\u015f\u0131lar); Efes ve Priene, dahas\u0131 Miletos\u2019la ili\u015fkilerini, a\u00e7\u0131lan yollarla sa\u011flamla\u015ft\u0131rm\u0131\u015f bir b\u00fcy\u00fck kenttir. B\u00fct\u00fcn bu nedenler y\u00fcz\u00fcnden, o deli \u0131rma\u011f\u0131n ta\u015fk\u0131nlarla ta\u015f\u0131d\u0131\u011f\u0131 al\u00fcvyonlar nerdeyse beni bo\u011facak kadar araban\u0131n i\u00e7ine doldu\u011funda durmak zorunda kalm\u0131\u015ft\u0131m. \u0130nce toz da\u011f\u0131l\u0131nca, \u00dc\u00e7 dehlizden birinden el arabalar\u0131yla ayn\u0131 cins kumu bo\u015faltan sekiz &#8211; on ki\u015fiyle kar\u015f\u0131la\u015ft\u0131m. Orhan Hoca\u2019n\u0131n ask\u0131l\u0131 kot pantolonu ve onun g\u00f6\u011f\u00fcs cebine t\u0131k\u0131\u015ft\u0131rd\u0131\u011f\u0131 notlar\u0131, \u00e7izimleri ad\u0131mlar\u0131m\u0131 ona do\u011fru h\u0131zland\u0131rmama yol a\u00e7m\u0131\u015ft\u0131. Onun da ba\u015f\u0131nda bu y\u00f6renin tozlu\u011fu say\u0131lan o sar\u0131 po\u015fu vard\u0131. Hoca benimle kar\u015f\u0131la\u015ft\u0131\u011f\u0131na hi\u00e7 de sevinmemi\u015fti. Sonradan, beni Milet\u2019te kaz\u0131y\u0131 s\u00fcrd\u00fcren yabanc\u0131 bilim grubundan sand\u0131\u011f\u0131n\u0131, o \u00e7ok yetersiz \u00f6denekle \u00e7al\u0131\u015fmalar\u0131n\u0131 s\u00fcrd\u00fcrmesine tan\u0131k olmalar\u0131ndan tedirgin oldu\u011funu bana anlatm\u0131\u015ft\u0131.<\/p>\n<p>Orhan Bing\u00f6l on be\u015f g\u00fcn \u00f6nce Ku\u015fadas\u0131\u2019na u\u011frayarak bana yeni yay\u0131mlanan \u201cArkeolojik Mimaride Resim 2\u201d kitab\u0131n\u0131 getirmi\u015fti. Bu kitap 2015\u2019te ilki yay\u0131mlanan kitab\u0131n ikinci cildiydi (Arkeolojik Mimaride Resim-M\u00d6. 500-MS.400 Nobel \u2013 K\u00fclt\u00fcr Yay\u0131nlar\u0131). Bu son kitapta, Orhan Bing\u00f6l, babas\u0131 ressam ve resim \u00f6\u011fretmeni Cemal Bing\u00f6l\u2019\u00fcn g\u00f6zlerini kullan\u0131r gibi, hem de Anadolu topraklar\u0131nda ya\u015fam\u0131 payla\u015fan insanlar\u0131n toplumsal ili\u015fkilerini d\u00fc\u015flerine ola\u011fan\u00fcst\u00fc ser\u00fcven olarak yerle\u015ftirmi\u015ftir. \u201cArkeolojik Mimaride Ta\u015f\u201d adl\u0131 kitab\u0131nda ta\u015f\u0131n, mermerin, boyan\u0131n zaman\u0131n ruhuna kavu\u015ftu\u011funu izleriz.<\/p>\n<p>Tempera, ya\u011f, re\u00e7ine, yumurta ak\u0131 kazain boyalar\u0131 kar\u0131\u015ft\u0131r\u0131larak y\u00fczeye uygulanmas\u0131 ise; Enkaustik yani yakarak yap\u0131lan resimdir. Boyalar\u0131n balmumu ile kar\u0131\u015ft\u0131r\u0131lmalar\u0131ndan elde edilen kitlenin bir par\u00e7as\u0131n\u0131n ucu kor halinde bir \u00e7ubukla ya da spatulaya benzer bir aletle y\u00fczeye uygulanmas\u0131d\u0131r. \u201cAl Secco\u201d s\u0131van\u0131n kurumas\u0131ndan sonra o y\u00fczeye yap\u0131lan \u00e7izimdir. \u00a0\u201cAl Fresco\u201d ise, boyalar\u0131n suyla kar\u0131\u015ft\u0131r\u0131larak hen\u00fcz s\u00fcr\u00fclm\u00fc\u015f ya\u015f s\u0131va \u00fcst\u00fcne uygulanmas\u0131d\u0131r. G\u00f6r\u00fcl\u00fcyor ki, \u0131\u015f\u0131\u011f\u0131 ve d\u00fcz bir y\u00fczeyde derinli\u011fi yakalay\u0131p izleyiciye sunman\u0131n y\u00f6ntemleri, Pompei\u2019den \u0130spanya\u2019ya; \u0130stanbul sarn\u0131\u00e7lar\u0131ndan, mozaik ve dehlizlere kadar; Magnesia Ad Meandurum Agoras\u0131ndaki toprak alt\u0131nda y\u00fczy\u0131llard\u0131r zamana kar\u015f\u0131 direnen Alizarin Crimson pigmentinin direnciyle ge\u00e7mi\u015fin \u00f6yk\u00fcs\u00fcn\u00fc bug\u00fcn\u00fcn payla\u015f\u0131m\u0131na d\u00f6n\u00fc\u015ft\u00fcrmekteyiz.<\/p>\n<p>\u00d6n\u00fcm\u00fczdeki hafta sonu Ankara Kitap Fuar\u0131nda Orhan Bing\u00f6l kitaplar\u0131n\u0131 imzalayacakt\u0131r. Bu habere \u00e7ok sevindim.<\/p>\n<p style=\"text-align: right;\"><strong>Kas\u0131m 2023<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Orhan Bing\u00f6l\u2019\u00fcn ve Babas\u0131 Cemal Bing\u00f6l\u2019\u00fcn \u00f6\u011frencileriyle s\u00fcr\u00fcp giden zaman yolculu\u011fu \u00a0 Zihnin ilgi alanlar\u0131 konusundaki se\u00e7imi her halde bu denli \u00e7ok renkli olmasa, b\u00f6ylesine \u00e7ok say\u0131da tonlamaya yan\u0131t aramakta yard\u0131m\u0131m\u0131za ko\u015facak pigmente gerek kalmayacakt\u0131. Ama, o zaman da, Fenikeliler\u2019in \u201cFenike Mavisi\u201d ad\u0131n\u0131 alan maviyi seramikleriyle \u201c\u0130pek Yolu\u201d boyunca o b\u00fcy\u00fcl\u00fc Do\u011fu Akdeniz\u2019in mavi tonunun \u00c7in \u0130peklerine ta\u015f\u0131nmas\u0131yla bir mucize ger\u00e7ekle\u015fmeliydi. Bu bildirimi ta\u015f\u0131yan, seramik \u00e7amuruyla, ipek dokuman\u0131n t\u00fcm d\u00fc\u015fleri vars\u0131l k\u0131lan dalgalanmas\u0131n\u0131n ayn\u0131 mavide bulu\u015fmalar\u0131yd\u0131. De\u011fi\u015fik co\u011frafyalarda do\u011fadaki \u0131\u015f\u0131\u011f\u0131n ba\u015fkal\u0131\u011f\u0131 ressamlar\u0131 renklerde ton aray\u0131\u015f\u0131na k\u0131\u015fk\u0131rtm\u0131\u015ft\u0131. Akdeniz\u2019de buna verece\u011fimiz \u00e7ok \u00f6rnek vard\u0131r: Kuzey Avrupa ressamlar\u0131 g\u00fcneye indiklerinde, hele Kuzey Afrika\u2019y\u0131 &hellip; <\/p>\n","protected":false},"author":1,"featured_media":734,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[10],"tags":[],"class_list":["post-1196","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yazilari"],"_links":{"self":[{"href":"https:\/\/ziyagurel.com\/index.php\/wp-json\/wp\/v2\/posts\/1196","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ziyagurel.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziyagurel.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziyagurel.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ziyagurel.com\/index.php\/wp-json\/wp\/v2\/comments?post=1196"}],"version-history":[{"count":2,"href":"https:\/\/ziyagurel.com\/index.php\/wp-json\/wp\/v2\/posts\/1196\/revisions"}],"predecessor-version":[{"id":1198,"href":"https:\/\/ziyagurel.com\/index.php\/wp-json\/wp\/v2\/posts\/1196\/revisions\/1198"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziyagurel.com\/index.php\/wp-json\/wp\/v2\/media\/734"}],"wp:attachment":[{"href":"https:\/\/ziyagurel.com\/index.php\/wp-json\/wp\/v2\/media?parent=1196"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziyagurel.com\/index.php\/wp-json\/wp\/v2\/categories?post=1196"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziyagurel.com\/index.php\/wp-json\/wp\/v2\/tags?post=1196"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}